Why educators don’t like video games

Here’s a research topic: the effects of video games on low income households.

We often think of games as this epic thing that will “revolutionize learning” but we forget that it’s also a “pangmayaman” hobby. And I’m not only talking about the barrier to entry, mahal talaga maging gamer. Pero the cost of game addiction is even more real for a masa gamer (the type who plays dota in the internet shops all day). A game addict rich kid can afford safety nets to keep them from the downward spiral (parent moves you to a different school, parent finds time to play with kid), but for a masa gamer kid once you get adik wasak ka na.

Then there’s also the idea that game addiction is a form of escapism. That the reason someone gets addicted is because they are trying to escape from real world problems. Eh di that makes you very vulnerable, masa gamer.

A few years back (when Reality Is Broken was just coming out), I had this conversation with an old teacher about games and education, something she said stuck to me to this day (paraphrasing):

The brilliant minds I meet these days are what you would call “gamers” or at least someone adept at playing them. But I have also seen dumb students get dumber because of video games. Is that how games work, it makes smart kids smarter and dumb kids dumber?

I was dumbfounded. The easy response would be to say that who the educator calls “dumb” may just be someone who doesn’t fit in the educational system and that the skills developed in video games cannot be easily translated to getting high grades in the classroom. But it’s not that simple in reality. For a public school masa child, getting high grades ensures him a spot in the special class where the best teachers the public education system can afford teach. This system goes all the way up to college. Video games like any other addicting hobby leads kids down a slippery slope of a broken educational system.

That video games gets in the way of our education system is where the educator’s stigma against video games originates.

for more thoughts on educational games, clik the pic

I see two ways people are trying to fix this: either our education system changes and start looking at video games equally as they see books or movies or music (that is as a valid expression of culture rather than addicting hobbies) OR people start making games that is more fit with the current system.

The former is bound to happen. As a generation who grew up with video games starts  taking over education, the stigma will ease itself out naturally.

The later, however is why I have a problem with the way some “educational” games are being made. The biggest mistake you can make as a game designer making games for education is to perpetuate the idea that a game is less educational because it didn’t feature lessons from chapter 3 of a Biology textbook.

Video game legitimacy will come naturally. As game creators we only have to make sure that when that day comes, we have built a library worthy of study and research.


Action Reality

Recently, I played an unfinished arpg by Matthew Gartland. The game had no intricate backstory other than I asked him for a copy of the game instructions and I decided to give it a go after reading and re-reading it for a few weeks.

It was a rather playful experience, with instructions carefully balanced between light-hearted and ominous. It was short and took me less than 30 minutes. I could have finished quicker but I felt that the game wasn’t meant to be played like a race. It was more like a tour, as if I had an invisible tour guide pointing me to things I wouldn’t have looked at.


the game starts here
"you are moving against the flow of the water, which keeps you safe"
"Do not enter this building, it is very dangerous"
Contemplate the afterlife
"Go across."

In the end the game told me to find a safe spot to solve the final code phrase. I did it in a bus shed beside an American tourist couple. I was tempted to pass the game to them, if only I hadn’t written the solutions over the instructions.

PGDF Awards (part 3)

Part 1 | Part 2

I was going to sweep the whole PGDF awards thing under the rug but this morning they emailed me that some of the judges and organizers reconsidered and now my game is in the right category. The game is now up against Jan Jan the Jeepney and Crazy Kite!!

Because it's not Filipino if you don't put a Filipino flag in it

I’ll be blunt and say that these games have as much “culture” in them as an Ibong Adarna coloring book.

I know it’s tough to make a game but as someone who believes in the creative potential in games I feel frustrated  when seeing games like this as the representative of our Filipino identity.

Citizens, let’s do our civic duty and vote To The Flowers of Heidelberg.

Also vote for the more awesome Circle Speedster.

PGDF Awards (part 2)

(part 1 here)

The application process could have been simpler. The nomination instructions were hidden in a subpage. I had to get birth certificates and stuff just to prove the games are authentic Filipino. Are we that distrustful as an industry that we’ll think someone is going to cheat here?

Last Wednesday, I received an email telling me that public voting is on and I should promote the game. And oh, public voting ends the following Wednesday. I checked the site and…

... the best PC/Mac game is in your browser's cache folder

The game, a browser, non-executable, installer-free flash game, is nominated for the Best PC/Mac game!  Ha, an awesome game is awesome, right?

Maybe the organizers “saw what I did there” and took me on my joke so I emailed asking them if it’s ok to nominate the game for the Cultural award instead. No sir, the voting and judging has begun so you can’t switch categories. What?! Wwwait, does it imply that no judging happened between the time I sent my application and the voting page was set up?

Oh well, at least Circle Speedster is there and, no offense to the other entries, it’s hands down the best game on that list. I was hoping to find something like Wildfire or at least some Indigo or Gonzo flash games. Either the organizers failed to advertise the event enough or the game developers couldn’t be bothered.

Seriously, play this first then vote the hell out of it.

Btw, you need to register to vote. It’s 2011, setting up Facebook Connect can be done in an afternoon. (But Julius, they’re game dev people not web developers.)

(part 3 here)

PGDF Awards (part 1)

Getting awards isn’t really a priority in all my game-makings. I’m not keen in joining sponsored/professional competitions. They tend to be serious and stressful and that level of competition just isn’t fun for me. Besides, the games I like to make and the games judges expect rarely exist in the same universe.

Sure, I dream of making a game worth entering in the IGF but only for the thrill of having my game played by the people I look up to and getting interesting feedback.

Back in college, my cousin and I decided to join a local film festival. It wasn’t big or anything, but it was a ‘celebration’ of Waray film making. (Yes, apparently Waray film making exists). Knowing the most likely entrants, the Liberal Arts /Humanities folks, we expected a bunch of serious, artsy “socially relevant” videos with sad piano scoring. We hate that kind of films. I’m Waray, and that’s not the kind of movie that represents me. Something has to be done! So with a digicam, a ski-mask, and a basic premise, we went around the campus one afternoon and made our own art film. The artsy stuff still won the competition but we had the entire audience laughing. Except for some minor grammar corrections, our awesome poet+professor congratulated us on our “intelligent comedy”. This was a big deal because he’s a guy who can weave multiple layers of humor into a poem IN WARAY-WARAY.

4 years later, I have given up on my plans on winning a Cannes and turned to making bidyogeyms instead. A month ago, I saw this:

Is this legit?

It sounded like a cool idea. But somehow it reminded me of that film festival. Is this a sincere celebration of whatever video game making progress we made as Filipinos? Or is this another attempt at self-validation by the game companies? Is this legit enough to bother joining?

Who are the likely entrants?

The Philippine game industry is small and most of them are into outsourcing, so fewer still are companies with original IPs.  Having only one or two companies join and getting awarded because they have a different business model isn’t exactly the purpose of this event… is it? But wait, mobile has been a buzzword this year and developing in it is relatively accessible maybe there are a bunch of low key game devs who made something awesome recently. There are also browser games. There’s at least the possibility of diversity.

What’s the judging process?

Again, small industry so I have a fair idea of who the jury might be composed of. I’m not a big fan of judging by criteria just as I don’t like game reviews that score audio, graphics, gameplay separately. The criteria might serve as a guide and won’t be strictly followed I suppose.

It says in the application form that I can only choose to nominate a game at most 3 categories. Maybe they are expecting a lot of entries, to make it easier for the judges? But shouldn’t categorizing the entrees be part of the judging process? People who want to award video games should know enough to see which category applies to what game, shouldn’t they?

What are the award categories?

Third, I checked the categories and the first bullet point LOLd me: “Cultural Award”.

Making games about Filipino culture, just like making ‘educational’ games, is a touchy subject for me. Games that are designed for this purpose are usually horrible, immature perversions. They are less about culture and educating than they are about asking for societal validation. “Look Ma, you say games are a waste of time. I made a game with maths and also tell you what our national flower is.” The situation was similar to the film festival.

Something has to be done!

I’ll enter a game, a “local culture” game. I’ll nominate it for an unrelated category and see if the organizers care.

Nominating for Best Mobile Game would be too easy. The description hints at it being about culture.

I will also nominate a super awesome totally indie game and see how it fares against the IPs of the game companies.

"Indie spirits" sounds like an awesome publishing company. They also sell liquor.

(part 2 here)

From Flash to Atari 2600

For more almost 2 months now, I’ve been trying to learn making games on this:

Fun fact: I have never played on the actual machine

Why (normal answer)?

I didn’t have real assembly programming experience so I have no idea how hard the ‘good old days’ actually were. (Blame my college instructor who only met us thrice, gave us passing grades and disappeared).

I want to make a video game under serious constraints as a tribute to the pioneers of the medium (see A Slow Year, Halo 2600).

Most of my games are made in Flash and even if I worked for the industry I still get weird looks when I introduce myself as game developer. “Flash? Real game developers use C++.. nay, REAL developers use assembly!”

Why (artistic/pretentious babble)?

Most of my video game stuff is a cultural commentary. My imaginary critics may claim that my games are commentary first before game, that they would be more fun if I lose all my baggage. They’d be imaginarily right, except I’m not really interested in making the next Angry Birds. The continued interest that I have for game dev, despite my bad experience professionally working in it, stems from my frustration from developers trying to make a Filipino video game. Anito was awesome and all but why did we stop there, you guys? (There are a lot of factors inhibiting us from expressing our culture genuinely. I hope I’m able to address them in this other game I’m working on.)

Also, sometime last September, I was able to play this:

You might need a translator to play Spanish games

Prior to playing them, I had no idea Spanish video game culture was THIS old. Then again, my knowledge of European video game history is very limited.

The design and narratives of the old games reflected the culture of their creators. They might have been trying to compete with the global market, but they worked with a very Spanish taste. Game creation then didn’t have the rigid commercial rules we have now and in effect forced their creators be very personal in their approach. This ‘authenticity’ is what I find most interesting.

Wouldn’t it be cool to see how in the middle of Martial Law and the EDSA revolution and the aswangs and manananggal some guy rage quit his Pong game and decided to make his own? How will Marcos and Communism and Eat Bulaga play into the creation of 4kb worth of digital entertainment?

Making a game in one of the earliest gaming platforms now won’t change how history was written, but I want to see how a Filipino programmer in the 80’s would have made his own video game.

Flowers for Jose Rizal

Last May, I maybe started this game collective. There are a lot of reasons why I did that but they’re fit for another post. Now, a game collective isn’t one if we don’t at least make games for ourselves. So we did just that.

We were supposed to make a game about Jose Rizal to celebrate his 150th birth anniversary. I made a sorta game about his poem To The Flowers of Heidelberg.

It's a art

I have never read Rizal’s novels beyond what was required in school, though I like his poems. Rizal originally wrote in Spanish and experts say we miss a lot of his wordplay by reading it in translated English. But I trust Nick Joaquin’s work and his version of the poem.

When I was a kid, the poem used to be about patriotic nostalgia, but now that  I’m roughly at the same stage as Rizal when he wrote this its meaning got a little personal for me. This was written in the middle of Rizal’s intellectual growth in line with pursuing his passion. He and his “illustrado” friends are travelling in Europe, picking silly fights, fencing and modelling for paintings, along the way discovering the concepts of nationhood and freedom. 10 years later, he will be martyred for inspiring a revolution and attacking the Catholic church, his friends will die or be killed in the uprising, and his country will be sold to the Americans. In ten years, shit got totally real!

It would be cool to think that what I’m doing would be part of some revolution in the next decade and I hope no one gets killed (figuratively of course) because of it.

Play Flowers of Heidelberg

Technical Notes

I tried to remove non-essential elements of gameplay knowing that it would only diminish the overall impact of the game. My goal wasn’t to make something addictive, though I could have tried that it wouldn’t feel right knowing the subject matter. I believe some games should only be played once and its abusive for games to force players to play far longer than they have to.

Thanks to the notgames community for the insights about the game.


[Sorry, the two people who read this blog, for my radio silence this past few weeks. I’ve been busy working on paid stuff, that I can’t actually show here. Anyway, I’ll post project updates soon.]